ODAWARA ART FOUNDATION

About

European Tour Sugimoto Bunraku Sonezaki Shinju Tsuketari Kannon Meguri (The Love Susides at Sonezaki with "Kannon Pilgrimage")

Message

Contemporary artist Hiroshi Sugimoto established the Odawara Art Foundation in 2009 in order to foster the advancement of Japanese culture while adopting an international perspective, by producing and promoting theater, from classical theater arts to avant-garde stage art; conserving and exhibiting art objects and other items; conveying traditional performing arts to younger generations; and promoting arts and culture in a manner that transcends historical periods and genres.

Nestled against the sheer outer rim of the Hakone Mountains and overlooking Sagami Bay, the Enoura district of Odawara City is a precious piece of Japan’s natural heritage, with a landscape of remarkable beauty preserved in unspoiled condition. This is the site of the Odawara Art Foundation’s Enoura Observatory, which opened to the public from October 2017. It is our fervent hope that with the cooperation of the Odawara municipal government, this facility will make wide-ranging contributions to the advancement of arts and culture and to the vitality of the local community.

Odawara Art Foundation

Mission

In the history of humanity, art was born at the same time as human consciousness. Art, from its very inception, has been intertwined with religion, serving to explain the mysteries of world we live in. Painting, sculpture, music, and theater: over the years and into the new millennium, throughout numerous transformations, these arts have been passed down to our generation. Now it is our time to reconsider how humanity is to engage with the world. By looking back at the history of art, we can gain important insights into how we have dealt with this world in the past and consider the path humanity must take for the future.

Odawara Art Foundation was formed to assist in the reconsideration of history. We do this by producing and promoting classical theater arts and avant-garde stage art; by holding public exhibitions of objects d'art and other items from the Sugimoto Collection and other sources; and by carrying out research into art of all genres and periods, from prehistory to contemporary, architecture to performance art.

By promoting the spread of the artistic culture of Japan through performances, exhibitions, and research, Odawara Art Foundation offers a chance to take another look at how humans and nature interact. Once the world was steeped in mystery, but now with our access to knowledge about so many things, we need to seek out new horizons for human awareness.

Outline

Name
Odawara Art Foundation (Public Interest Incorporated Foundation)
Date of Foundation
December 22, 2009
Location
Based in Odawara city, the Foundation's Enoura Observatory opened to the public in October 2017. The Enoura Observatory is an art and cultural facility with a stage, exhibition halls, and a tea ceremony room.
Location
362-1 Enoura, Odawara, Kanagawa
Founder
Hiroshi Sugimoto

<About Hiroshi Sugimoto>

Hiroshi Sugimoto’s signature practice spans the mediums of performing arts, photography, sculpture, installation and architecture. His art deals with history and temporal existence through a variety of subject matters. He explores issues surrounding time, empiricism, and metaphysics that bridge Eastern and Western ideologies while examining the nature of perception and the origins of consciousness.

Sugimoto was born in Tokyo in 1948 and moved to the U.S.A. in 1970. He has lived in NYC since 1974. In 2008, he founded the New Material Research Laboratory, an architectural design office, and in 2009 he established the Odawara Art Foundation.

Awards:
1988 – The Mainichi Art Award (Japan)
2001 – The Hasselblad Foundation International Award in Photography (Sweden)
2009 – The 21st Praemium Imperiale (Japan)
2010 – The Medal with Purple Ribbon (Japan)
2013 – Officier dans l’Ordre des Arts et des Lettres (France)
2017 – Bunkakorosha (Person of Cultural Merit, Japan)
2023 – Member of the Japan Art Academy

Bibliography:
"Time Exposed," "Utusu na zou," "Origin of Art" "Kagero Nikki" published by Shinchosha, "Sense of Space" published by Magazine House, and "Art and Leisure" published by Hearst Fujingaho, "Enoura Kitan" published by Iwanami Shoten.

Contact

History

2009
 
December
Foundation of Odawara Arts Foundation (OAF). Received approval from Kanagawa Prefecture
2011
 
August
Ningyo joruri bunraku puppet play: Sugimoto Bunraku: Dekunobo Irinasake Sonezaki Shinju Tsuketari Kannon Meguri ("Kannon Pilgrimage" from The Love Suicide at Sonezaki)
Venue: Main Hall, Kanagawa Art Theatre (KAAT)
September
Yokohama Triennale 2011
SAMBASO, Kamihisomiiki – OUR MAGIC HOUR
Mansaku Nomura x Mansai x Hiroshi Sugimoto
Venue: Main Hall, Kanagawa Art Theatre (KAAT)
2013
 
March
SANBASO, divine dance
Mansai Nomura + Hiroshi Sugimoto
Venue: Guggenheim Museum Rotunda
April
Kami Hisomi Iki, vol.2
Mansai Nomura + Hiroshi Sugimoto
Venue: Sakura Hall, Shibuya Cultural Center Owada, Tokyo
September - October
European Tour
Sugimoto Bunraku Sonezaki Shinju Tsuketari Kannon Meguri (The Love Susides at Sonezaki with "Kannon Pilgrimage")
Venues: Madrid, Rome, Paris
2014
 
March
Sugimoto Bunraku Sonezaki Shinju: The Love Suicides at Sonezaki
Venues: Setagaya Public Theatre, Tokyo / Festival Hall, Osaka
August
Sambaso by Mansaku Nomura + Mansai Nomura + Hiroshi Sugimoto
Presented as part of Singapore International Festival of Arts
Venue: Victoria Theatre, Singapore
2015
 
October
Sancha Shami: Music of the Shamisen
Venue: Setagaya Public Theatre, Tokyo
November
Haru no Tayori (Spring Letter) from Noh: "Sugamozuka"
Venue: Owl Spot (Toshima Performing Arts Center), Tokyo
2016
 
November
Contemporary reading play: Carnal Voice
Venue: Sogetsu Hall, Tokyo
2017
 
February
Special preview of New noh production: Rikyu – Enoura
Venue: Noh Theater, MOA Museum of Art, Shizuoka
April
OAF offices moved to Enoura
August
Sugimoto Bunraku: Onnagoroshi Abura no Jigoku (The Woman-Killer and the Hell of Oil)
Venue: Setagaya Public Theatre, Tokyo
October
Enoura Observatory opened to the public
November
World premier of Noh production: Rikyu – Enoura
Venue: Japan Society, New York
2018
 
January
Noh performance: Noh Climax
Venue: Noh Theatre, Cerulean Tower, Tokyo
April
Noh performance: Stone Bridge
Venue: Stone Stage, Enoura Observatory
September
SAMBASO, divine dance performed by Mansaku, Mansai and Yuki Nomura, designed by Hiroshi Sugimoto
Venue: Theatre de la Ville – Espace Cardin, Paris
October
New Noh production: Rikyu – Enoura
Venue: Stone Stage, Enoura Observatory
2019
 
September - October
New dance production: At the Hawk's Well
Venue: Palais Garnier, The National Opera of Paris
October
Contemporary art project: Tino Sehgal @Enoura Observatory “yet untitled”
Venue: Enoura Observatory
Sugimoto Bunraku Sonezaki Shinju: The Love Suisides at Sonezaki
Venue: Rose Theater, Jazz at Lincoln Center’s Frederick P. Rose Hall, New York
2020
 
February
Lecture by Yukinori Kawae (Archaeologist)
Venue: Enoura Observatory
December
Lecture by Yoshiharu Doi (Chef and food consultant)
Venue: Enoura Observatory
2021
 
August
Lecture and moon viewing by Hitoshi Yamanaka
Venue: Enoura Observatory
October
Lecture and stargazing by Naohiro Takanashi
Venue: Enoura Observatory
November
Sound performance by Christian Marclay: Found in Odawara
Venue: Enoura Observatory
December
Lecture on castles by Yoshihiro Senda (Castle archaeologist)
Venue: Minaka Odawara Convention Hall, Kanagawa
2022
 
January - March
Special exhibition: Journey of the Kasuga Spirit
Venue: Kanagawa Prefectural Kanazawa-Bunko Museum
March
Special lecture: Kasuga religion and Odawara Art Foundation
Venue: Odawara Sannomaru Hall, Kanagawa
November
Otomo Yoshihide Ensembles 2022
Venue: Enoura Observatory
December - March/2023
Special exhibition: The Descent of the Kasuga Spirit
Venue: Kasugataisha Museum, Nara
2023
 
March
Dance and music performance to celebrate the first anniversary of the enshrinement at Kankitsuzan Kasuga Shrine
Venue: Enoura Observatory
July
Dance performance by Kaori Ito
Venue: Enoura Observatory
October
Enoura Tea Ceremony
Venue: Enoura Observatory
November
Sugimoto Kyogen: Honkadori
Venue：Shibuya Cultural Center Owada, Tokyo
2024
 
March
Dance and music performance to celebrate the second anniversary of the enshrinement at Kankitsuzan Kasuga Shrine
Venue: Enoura Observatory
December
Otomo Yoshihide Ensembles 2024
Venue: Enoura Observatory
2025
 
March
Dance and music performance to celebrate the third anniversary of the enshrinement at Kankitsuzan Kasuga Shrine
Venue: Enoura Observatory

※ Odawara Art Foundation has loaned artworks from the Foundation's collection to both national and international institutions for numerous exhibitions.

Geometry began with our awareness of the circle and the triangle. If you stand on high ground and gaze at the horizon, what appears to be a straight line is, in fact, a segment from a long arc. If you stand on a mountaintop in a remote island and follow the horizon with your eyes, you realize that its end reconnects with its beginning. This is how people realized that the limit of their field of vision is described by a circle. The sun and the stars at night are describing circles as well. The moment that people became conscious of the circle was also the moment that they realized they had consciousness. It was the moment they made the leap from animal to human.

Once the circle had made its way into human consciousness, it was followed by the triangle. That is linked to our consciousness of distance. Using the distance between two known points, humankind could calculate the distance to a third point. Here are the origins of triangulation: now people could measure the land upon which they lived and navigate the seas by the stars.

The triangle was used as the so-called dragon scale element in ancient Japanese coats of arms. Dragons appear as symbols of chaos in myths from every part of the world. The story of the eight-headed, eight-tailed dragon Yamata no Orochi is a famous Japanese legend. Whoever vanquishes the chaos and establishes order proves his right to rule. Thus, when Susa-no-Ō slays the dragon Orochi, one of the three symbols of imperial rule, the Herb-Quelling Great Sword, emerges from its split body.

My concept for the logo of the Odawara Art Foundation was to combine the letters O and A, the first letters of “Odawara” and “Art.” The resulting mark is simultaneously Western and Japanese, since it can be read both as letters from the alphabet, while resembling an ancient Japanese design. When humankind first acquired language, speech supposedly started with vowel sounds: “Oh!” to express surprise and “Ah!” to express admiration. That makes “OA” a very apt symbol for the beginnings of language.

Lastly, it was in 1590 that the warlord Toyotomi Hideyoshi crushed the local Odawara Hōjō clan, one of Japan’s powerful warrior clans. Their coat of arms was made up of three dragon scales.

I designed the Odawara Art Foundation logo to symbolize the multiple layers of human memory stretching all the way back to ancient times.

Programs